Liz Lerman is a choreographer, performer, writer, educator and speaker, and the recipient of honors including a 2002 MacArthur “Genius Grant” and a 2017 Jacob’s Pillow Dance Award. Key to her artistry is opening her process to various publics, resulting in research and outcomes that are participatory, urgent, and usable. She founded Dance Exchange in 1976 and led it until 2011. Her recent work Healing Wars toured the US. Liz teaches Critical Response Process, creative research, the intersection of art and science, and the building of narrative within dance at institutions such as Harvard, Yale School of Drama, and Guildhall School of Music and Drama. Her third book is Hiking the Horizontal: Field Notes from a Choreographer. As of 2016 she is an Institute Professor at Arizona State University.

Liz Lerman is a choreographer, performer, writer, educator and speaker, and the recipient of numerous honors, including a 2002 MacArthur “Genius Grant”, a 2011 United States Artists Ford Fellowship in Dance, and the 2017 Jacob’s Pillow Dance Award. A key aspect of her artistry is opening her process to various publics from shipbuilders to physicists, resulting in both research and outcomes that are participatory, relevant, urgent, and usable by others. She founded Liz Lerman Dance Exchange in 1976 and led it until 2011. Her most recent work, Healing Wars, toured across the US in 2014-15. Liz conducts residencies on Critical Response Process, creative research, the intersection of art and science, and the building of narrative within dance performance at such institutions as Harvard University, Yale School of Drama, Wesleyan University, Guildhall School of Music and Drama, and the National Theatre Studio among others. Her third book, Hiking the Horizontal: Field Notes from a Choreographer, was published in 2011 by Wesleyan University Press. As of 2016 she is an Institute Professor at Arizona State University.

Liz Lerman is a choreographer, performer, writer, educator and speaker, and the recipient of numerous honors, including a 2002 MacArthur “Genius Grant,” a 2011 United States Artists Ford Fellowship in Dance, and the 2017 Jacob’s Pillow Dance Award. A key aspect of her artistry is opening her process to various publics from shipbuilders to physicists, construction workers to ballerinas, resulting in both research and outcomes that are participatory, relevant, urgent, and usable by others. She founded Liz Lerman Dance Exchange in 1976 and cultivated the company’s unique multi-generational ensemble into a leading force in contemporary dance until 2011. She was an artist-in-residence and visiting lecturer at Harvard University in 2011, and her most recent work, Healing Wars, toured across the US in 2014-15. Liz conducts residencies on Critical Response Process, creative research, the intersection of art and science, and the building of narrative within dance performance at such institutions as Harvard University, Yale School of Drama, Wesleyan University, Guildhall School of Music and Drama, and the National Theatre Studio, among others. Her collection of essays, Hiking the Horizontal: Field Notes from a Choreographer, was published in 2011 by Wesleyan University Press and released in paperback in 2014. In 2016 Liz was named the first Institute Professor at the Herberger Institute for Design and the Arts at Arizona State University, where she is building a lab focused on creative research.

Liz Lerman is a choreographer, performer, writer, educator and speaker. From a piece about her days as a go-go dancer in 1974 to a recent investigation of origins that included putting dancers in the tunnels of the Large Hadron Collider at CERN, she has spent the past four decades making her artistic research personal, funny, intellectually vivid, and up to the minute. A key aspect of her artistry is opening her process to various publics from shipbuilders to physicists, construction workers to ballerinas, resulting in both research and outcomes that are participatory, relevant, urgent, and usable by others.

She founded Liz Lerman Dance Exchange in 1976 and cultivated the company’s unique multi-generational ensemble into a leading force in contemporary dance until 2011, when she handed the artistic leadership of the company over to the next generation of Dance Exchange artists. Now she is pursuing new projects with fresh partnerships, including a semester at Harvard University as an artist-in-residence. Her most recent work Healing Wars finished touring across the US in 2015. Liz conducts residencies on the Critical Response Process, creative research, the intersection of art and science, and the building of narrative within dance performance at such institutions as Harvard University, Yale School of Drama, Wesleyan University, Guildhall School of Music and Drama, and the National Theatre Studio among many others. In 2016 Liz was named the first Institute Professor at the Herberger Institute for Design and the Arts at Arizona State University, where she is building a new lab focused on creative research.

Hiking the Horizontal: Field Notes from a Choreographer, Liz’s collection of essays, was published in 2011 by Wesleyan University Press and released in paperback in 2014. Liz has been the recipient of numerous honors, including a 2002 MacArthur “Genius Grant” Fellowship, a 2011 United States Artists Ford Fellowship in Dance, and the 2017 Jacob’s Pillow Dance Award. Her work has been commissioned by the Harvard Law School, the Lincoln Center, American Dance Festival, and the Kennedy Center, among many others.

Born in Los Angeles and raised in Milwaukee, Liz attended Bennington College and Brandeis University, received her BA in dance from the University of Maryland, and an MA in dance from George Washington University. She is married to storyteller Jon Spelman. Their daughter is a documentary photographer.